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SYOnline
SYOnline

Dr. Sadaharu Muramatsu

Born in Japan and based in Sydney, Australia, Dr. Sadaharu Muramatsu (Sada) is the artistic director of Strathfield Symphony Orchestra, conductor of Sydney Youth Orchestras / Western Sydney Youth Orchestra, lecturer and conductor of Excelsia University College (formerly Wesley Institute), and music director of Excelsia Chamber Orchestra.
 
In Sydney, Sada has conducted the Penrith Symphony Orchestra, Rockdale Opera Company, Sydney Camerata and many other ensembles. He also conducted the Nagoya Philharmonic Orchestra and Central Aichi Symphony Orchestra in Japan.
 
Sada completed a Masters of Music in Conducting at the Royal Northern College of Music in Manchester, UK. Subsequently, he was granted a fellowship to study conducting at the Sydney Conservatorium of Music, University of Sydney.
 
His accomplishments include receiving recognition in the NSW State Parliament for his significant contributions to music in the local Strathfield Area (2022), Japanese Foreign Minister’s Commendations (2019), Consul-General of Japan’s Commendation Award in Sydney (2018), an Honorary Doctorate in Music from his alumnus Anglia Ruskin University in Cambridge, UK (2011), second prize in the Vienna Summa Cum Laude International Youth Music Festival with the Wesley Institute Choir in the Golden Hall, Musikverein, Austria (2011), finalist and awarded Special Prize of the Jury at the Emmerich Kalman International Conductor’s Competition at the Budapest Operetta Theatre, Hungary (2007), semi-finalist in the 2nd Bartok Bela International Opera-Conducting Competition in Romania (2007), Mortimer Furber Prize for Conducting in Manchester, UK (2005), and first prize at the ISIS Conducting Competition in Cambridge, UK (2001).
 
Sada studied conducting under Imre Pallo, Kurt Masur, Sir Mark Elder CH CBE, Hirofumi Misawa and Kazuki Sawa.
 
www.sadaharu.net 
Category:
Symphonic Orchestral Program
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Conductor Stage 3 Western Sydney Youth Orchestra

Sydney Youth Orchestras acknowledges the traditional owners of the land on which we work, rehearse, gather and perform; the Gadigal people of the Eora Nation. We pay our respect to Elders past and present, the original storytellers of these lands where we learn and create music today. We extend that respect to all Aboriginal and Torres Strait Islander peoples and honour the continuation of the oldest music practice in the world. 

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